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Services film tv

Aerials that match your A-cam.

Flown for Netflix, Hulu, HBO Max, Prime Video, Good Morning America, and The New York Times Magazine. 8K CinemaDNG RAW off the Inspire 3, or your own FX6/Komodo build in the air on the heavy-lifter — graded footage that cuts into the timeline without apology.

FPV chase frame over the race circuit — aerial still from the Woodson reel

The production package

  • Inspire 3 — full-frame 8K CinemaDNG RAW / ProRes RAW for the color pipeline
  • Akira heavy-lift — puts your Sony FX6 or RED Komodo (with your glass) in the air, matching the ground package exactly
  • FPV unit — one-take interiors and 100 mph chase work
  • Second-unit ready: Inspire 2 as B-cam, redundant batteries and props for full production days

What your UPM needs to hear

  • Part 107 with controlled-airspace authorizations and City of Austin film-permit experience
  • $5,000,000 aviation liability — COI same day, additional insured as required
  • Closed-set experience and live-broadcast experience (GMA)
  • Two NYT Magazine collaborations with Dan Winters — comfortable taking direction from a DP
Downtown Austin skyline at dusk from altitude
STREAMING DOC / 8K RAW PLATES
Golden rolling hills under soft light, aerial still
NYT MAG COLLAB / STILLS + 5.2K
And scene

Scouting aerials for a production?